“
“The Tamerlane Syndrome: Art and Conflicts in Central Asia”
Aaron Moulton
Flash Art, Vol. XXXVIII,
№ 245, November-December 2005
P. 53
From the archive of SCCA
Digital collection
Documentation, “Tselinny”
Center of Contemporary Culture
Throughout the show was a ricocheting call-and-answer of East filtering West, pushing subtle adaptations into autonomous gestures communicating existential demands of dislocated spirituality and aggressive solidarity.
Barbarism as an aesthetic disposition seems to be the cringe-worthy way to define certain tendencies rooted in this area known for its Huns.
современный кочевник,
странствующий дервиш
стихийная «дикость»
